Showing posts with label kate winslett. Show all posts
Showing posts with label kate winslett. Show all posts

Friday, 30 January 2009

revolutionary road (2009)



kate winslett and leonardo dicaprio are reunited 12 years after ''titanic'' in sam mendes' adaptation of richard yates' 1961 novel. i found it interesting to discover that the novel was written so closely to the time of the films setting (1955), as it genuinely felt like a post-modern take on the subject matter, akin highly to "mad men". alas when taking into account the authenticity that the date of the publication of the source then an even higher level of praise is pushed onto the project.

in short, i loved ''revolutionary road", which came as quite the surprise to me. i actually enjoyed it much more than the other high profile releases of the awards season (excpet for maybe ''the wrestler"). im not sure why exactly, maybe it was that the themes spoke to me in a fairly direct manner, that whole thing about the hope of fruitility and of leading an extraordianary life struck me as quite real and rather timely. the performances were very strong too, with dicaprio once again proving why he is one of the best actors of his generation and winslett in the role that she should have received the oscar nomination for.

the film is beautifully shot by roger deakins, the man whom i consider to be the best cinematographer in the world. if anyone has been snubbed at this years oscars it is deakins, but saying that he should have won last year for "the assassination of jesse james by the coward robert ford" too, but didnt. sam mendes direction is perfect for the source material; the nature of the raw emotion of the story doesnt require fast editing or over the top visuals. thats not to say that the film doesnt feature striking direction, it does, its just different to that of some of the other work in this vein. the soundtrack, courtesy of thomas newman compliments the tone of the film perfectly. the use of period jazz songs works well too.

Thursday, 15 January 2009

the reader (2009)



empire magazine referred to "the reader" as "the epitome of middle-brow ‘quality’ drama", which sums up stephen daldry's film perfectly. while it wasnt particular bad, it wasnt anything great either. the lack of kate winslett surprised me greatly, and the higher than expected amount of ralph fiennes was appreciated, yet the film seemed to lack a powerful enough hook to really make it stick in the mind. the final years of hannah (winslett) and michael's (fiennes) friendship was incredibly touching, the sight of michael beginning his cycle of recordings especially, but beyond that the film was just average.