Showing posts with label jack nicholson. Show all posts
Showing posts with label jack nicholson. Show all posts

Sunday, 22 February 2009

the shining (1980)



another jack nicholson performance, and another tour de force. the scale of madness on display in kubrick's stephen king adaptation is awe-inspiring. i looked to "the shining" for academic reasons on this occasion, im looking at symetrical screening, and this is a great example of it. the camerawork, the framing and the editing of this film are incredible examples of the language of cinema, and display why kubrick was such a great filmmaker. the use of steadicam is especially of note, with kubrick being one of the earliest advocates of the device.

Sunday, 8 February 2009

five easy pieces (1970)




produced five years before nicholson's turn in antonioni's "the passenger" (our current number 2 on the list), bob rafelson's "five easy pieces'' sees jack on similiar form. while "one flew over the cuckoos nest" is the nicholson film of point that exhibits his talent for playing angry, and kubrick's "the shining" pushes his angle of sheer madness, "five easy pieces" straddles the two perfectly.

nicholson is just amazing in the role of robert, a young man who has thus far drifted through life. a talented musician who has withdrawn from his calling in life, either through ignorance or mental illness. unusually a definitive reason is never actually given, which leads me onto my next point; ''five easy pieces" is an example of subtly intelligent filmmaking. the viewer is given much more credit than usual, for instance, we dont have the reasoning behind the attraction to jack's character of robert to that of his brothers girlfriend, as we can read between the lines. the director has enough faith in his audience to let them come to their own conclusions. this sort of filmmaking was rife in american cinema of the 1970's, alas lowest common denomination rules the studios these days.

Sunday, 28 December 2008

the passenger (1975)



jack nicholson's finest performance, "the passenger" is without doubt one of the greatest films ever made. in turn i would consider the piece to be michalangelo antonioni's finest work too.

nicholson plays journalist david locke, a man fed up of his life and situation. when the oppurtunity arises, he uses it to fake his own death and take on the identity of another man. when the man in question turns out to be an arms runner, locke's life falls into chaos, culminating in the famous ten minute tracking shot that brings with it the films climax.