Showing posts with label daniel craig. Show all posts
Showing posts with label daniel craig. Show all posts

Friday, 31 October 2008

quantum of solace (2008)


the follow up to casino royale, a film reviewed below and enjoyed immensely by this viewer, is perhaps best viewed with its predecesor fresh in the mind. as i had only seen casino royale for the first time two days prior to seeing this i appeared to enjoy it much more than the person i attended the screening with, who hadnt seen casino royale since its theatrical release two years ago. the story follows on literally one hour after the previous film ended. herein lies the first major difference between previous bond sequels, as its the first genuine- continuity driven sequel in the series. the concept works a charm, with quantum of solace feeling more like casino royale part 2 than a stand alone film. while many people have been quite vocal about this not being the direction that they personally would like to see the bond films going in, i have to disagree entirely. alongside the benefit of adding real emotion to the bond films, this new wave of bond flicks has added depth (although emotion and depth are largely the same thing, especially in this context). that is to say that i genuinely care about seeing the next film in the series, in fact i would hasten to add that im actually looking forward to seeing it, which is a first for me, as prior to this recent experiment in bond viewing i had little experience with the series. its worth pointing out that while i have enjoyed my brief flirtation with bond i still consider them to be very much throw away entertainment, and cant see myself ever taking them too seriously or being a real fan.

casino royale (2006)




the film that not only breathed life into a dead franchise, but actually made the franchise in question much more interesting, martin campbell's ''casino royale'' (not to be confused with the david niven film of the 1960's, although admittedly that would be fairly unlikely) may draw many lazy comparisons to the bourne films, but i feel that its much closer in tone to the french connection (1971). gritty reinvention is nothing new, but with the bond franchise it actually opened up one of the largely ignored aspects of the original source novels, at the same time as serving a major plot purpose - the concept of a wet behind the ears bond, that would sooner kill than slow down and react ''properly'' to a scenario is one that not only makes perfect sense structure-wise but also conceptually applies to a large number of the intended audience. the emotional engine that the previous films lacked is front and centre in casino royale, gone are the over the top gadgets and the carry-on style humour, a necessary sacrifice in this post-austin powers universe. put simply the bond series couldnt carry on as it had been doing prior to royale, the concept had dated so badly, and had been pastiched to death. it is the aforementioned emotion that is the narrative string that i look forward to following through this new generation of bond films.